Courtesy of Satanic Panic Recordings
Paradise Lost, the fifth album by John Jagos as Brothertiger, owes inspiration to both the over-the-top drums and synths of 80s pop music and the sweeping soundscapes of late aughts chillwave. Continue reading Brothertiger frames 80s era synth ballads through post-chillwave ambience on fifth album, Paradise Lost
Photo Courtesy of Sacred Bones Records
Comprehensive statements have never been the main takeaway from albums by The Men, and none of the Brooklyn rock band’s past seven releases would even come close to being considered “conceptual.”
But, instead of using extended narratives to hold records together, the band has developed a tendency to cluster songs that build upon each other to elevate stretches of its albums. And on the band’s eighth full-length, Mercy, The Men employs its clustering technique to masterful effect. Continue reading The Men returns to its country rock dabblings on ambitious new album, Mercy
Photo from Weyrd Son Records
Way Station, the new album from Brooklyn industrial punks Pop. 1280, is a fitting title. It marks a new chapter for the band not only in material, but in its creative dynamic.
In the three years since the group’s last release, 2016’s Paradise, the band lost two key members with the departures of its drummer and synth player, leaving singer Chris Bug and guitarist Ivan Lip to figure out ways to fill the sonic voids their former bandmates left behind. Continue reading Pop. 1280 reemerges with a new lineup on Way Station, an ominous, psychological thriller of a record