Photo Courtesy of American Dreams Records
Stuck in Florida because of a shelter-in-place order, Chicago musician Jordan Reyes found a solution to his limited technical capabilities away from home by unearthing and releasing a collection of pitchy, looping outtakes from his debut album, Close. Continue reading Jordan Reyes shares Closer, a collection of six outtakes from his 2019 debut album, Close
Photo Courtesy of Whited Sepulchre Records
Jordan Reyes’ latest output is not your typical album. Although its runtime of 36 minutes falls in the range of a full-length, Fairchild Soundtrack + Border Land EP is really a combination of the Chicago musician’s recent film score and a three song EP, with both sharing similar textures and feelings. But, despite these commonalities, listening to each project on this release is like visiting opposite extremes: one minimalistic and breezy, the other chaotic and challenging. Continue reading Jordan Reyes balances childlike wonder with world-weary dissonance on the dual release Fairchild Soundtrack + Border Land EP
Photo from Matador Records
Stephen Malkmus’ signature brand of abstract and non sequitur lyrics can most often be found floating over the instrumentals of Pavement and his own band, The Jicks. Raucous guitars and bombastic drums match his frenetic singing and shrieking crescendos, shirking any notions of predictability.
But on Groove Denied, his long awaited stab at electronic music, Malkmus allows synthesizers, drum machines and loops to bubble to the surface. Over a well-paced 33 minute runtime, Malkmus explores the different eras of electronic music and plugs his own charisma into the digital landscape. Continue reading On his latest offering, Groove Denied, Stephen Malkmus dives into electronic rock of yesteryear while never entirely shaking his indie rock roots