To interpret a piece as celebrated as Claude Debussy’s La Mer is a bold undertaking for any musician, even those as accomplished as Tosconini, Bernstein or John Williams. And further, to successfully adapt it into a different style of music comes with its own set of challenges.
In music and film, there’s a certain sweet spot of nostalgia for the middle of the latter half of the 20th century, probably because so many people alive today have lived through it. Hollywood often loads its period pieces of that time, like Boogie Nights, Inherent Vice or Starsky and Hutch, with classic songs like “Afternoon Delight,” “Close to You” or “Stayin’ Alive.” But on California Son, Morrissey’s new cover album of 60s and 70s songs, he digs deeper than radio hits to repurpose for his own narrative use, choosing songs that have ties to our own historical moment.Continue reading Morrissey breathes new life into 12 songs from the 60s and 70s to craft a very 2019 album→
Stephen Malkmus’ signature brand of abstract and non sequitur lyrics can most often be found floating over the instrumentals of Pavement and his own band, The Jicks. Raucous guitars and bombastic drums match his frenetic singing and shrieking crescendos, shirking any notions of predictability.
Luke’s Turntable 